Just about the most returning problems on photography community forums is which out of two different lenses gets the smallest depth of discipline (DOF). However, what various people actually mean if they ask that is which lens gets the best capability to how much blur the backdrop in their pictures. The answers given aren't always clear. However, they may be only that. All it requires is some straightforward math. Howmuchblur offers you the answers you are interested in. Add some lenses, choose your subject matter size, and hit revise to see the benefits in a graph!
How much blur in landscape orientation, someone's portrait (0.9 x 0.6 meters), a full body (3 x 2 meters), or something has a width of meters.
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Background blur VS background distance
Howmuchblur - bigger number is more blurry background [%]
Lens Blur by howmuchblur.com
DOF / Distance between subject and background blur (~5m is in-door, ~50m is out-door)
Simulate the distance range of the graph:
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| Lens | Used Price | MSRP Price | Year | Brand | Type | Focus | Sharpness | Vignetting | Distortion | Chr.Abr | Compare |
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| Nikon AF-S Nikkor 50mm f/1.4G | $291 | $448 | 2008 | Nikon | Medium | SemiProDSLR |
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| Samyang 35mm F1.2 ED AS UMC CS Micro 4/3 | Save 30% | 2016 | Samyang | Wide - Medium | MF Lens |
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| Sony Cyber-shot DSC-RX100 II Lens | $488 | $750 | 2013 | Sony | Superwide - Wide - Medium | HighEndCompact |
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| Sigma 24mm F1.4 DG HSM A Sigma | Save 30% | 2015 | Sigma | Wide | HSM |
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| Mitakon Speedmaster 25mm f/0.95 Micro 4/3 | $260 | $400 | 2015 | Mitakon | Wide | MF Lens |
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| Sigma 105mm F1.4 DG HSM A Canon | Save 30% | 2018 | Sigma | Telephoto | HSM |
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| Pentax HD D FA* 50mm F1.4 SDM AW | $780 | $1200 | 2018 | Pentax | Medium | MF Lens |
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| Samyang 50mm F1.2 AS UMC CS Micro 4/3 | $357 | $549 | 2015 | Samyang | Medium | MF Lens |
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| Canon EF 50mm f/1.4 USM | $250 | $385 | 1993 | Canon | Medium | SemiProDSLR |
22 MP |
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10.37 |
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| Sigma 20mm F1.4 DG HSM A Canon | $585 | $900 | 2015 | Sigma | Superwide - Wide | SemiProDSLR |
33 MP |
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0.8 |
5.96 |
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| Samyang 35mm F1.4 AE AS UMC Canon | $293 | $450 | 2014 | Samyang | Wide - Medium | MF Lens |
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| Carl Zeiss Milvus 1.4/50 ZF.2 Nikon | $780 | $1200 | 2015 | Carl Zeiss | Medium | SemiProDSLR |
33 MP |
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0.3 |
8.36 |
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| Mitakon Speedmaster 135mm f/1.4 Nikon | $325 | $500 | 2015 | Mitakon | Telephoto | MF Lens |
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| Voigtlander Nokton 42.5mm F0.95 Micro 4/3 | Save 30% | 2013 | Voigtlander | Medium | MF Lens |
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| Sigma 20mm F1.4 DG HSM A Nikon | $585 | $900 | 2015 | Sigma | Superwide - Wide | SemiProDSLR |
31 MP |
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10.16 |
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| Lensbaby Velvet 85mm f/1.8 Sony FE | $325 | $500 | 2017 | Lensbaby | Medium - Telephoto | MF Lens |
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| Lensbaby Velvet 56mm F1.6 Sony | $325 | $500 | 2015 | Lensbaby | Medium | MF Lens |
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| Canon EF 24mm f/1.4L II USM | $1008 | $1550 | 2008 | Canon | Wide | SemiProDSLR |
27 MP |
-3 |
0.3 |
8.71 |
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| Nikon AF Nikkor 85mm f/1.4D IF | $800 | $1230 | 1995 | Nikon | Medium - Telephoto | SemiProDSLR |
23 MP |
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0.1 |
6.56 |
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| Samyang AF 85mm F1.4 Canon | $520 | $800 | 2018 | Samyang | Medium - Telephoto | MF Lens |
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| Sigma 35mm F1.4 DG HSM A Sigma | Save 30% | 2012 | Sigma | Wide - Medium | HSM |
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| Sigma 28mm F1.8 EX DG ASP Macro Canon | $292 | $449 | 2005 | Sigma | Wide | SemiProDSLR |
22 MP |
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0.3 |
5.37 |
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| Carl Zeiss Planar T 50mm f/1.4 ZE Canon | $471 | $725 | 2009 | Carl Zeiss | Medium | Professional |
18 MP |
-1.7 |
0.5 |
16.68 |
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| Sigma 40mm F1.4 DG HSM A Nikon | Save 30% | 2018 | Sigma | Medium | HSM |
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| Sony 35mm F1.4 G | $890 | $1369 | 2006 | Sony | Wide - Medium | SemiProDSLR |
15 MP |
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0.4 |
20.8 |
|
| Sigma 30mm F1.4 DC DN C Sony E | $221 | $340 | 2016 | Sigma | Wide | Hybrid |
16 MP |
-1.7 |
1.5 |
10.27 |
|
| Sigma 50-100mm F1.8 DC HSM A Canon | $715 | $1100 | 2016 | Sigma | Medium - Telephoto | SemiProDSLR |
14 MP |
-1.3 |
0.1 |
5.83 |
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| Mitakon Speedmaster 85mm f/1.2 Sony FE | $519 | $799 | 2015 | Mitakon | Medium - Telephoto | MF Lens |
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| Samyang 85mm f/1.4 Aspherique IF Nikon | $213 | $328 | 2009 | Samyang | Medium - Telephoto | SemiProDSLR |
23 MP |
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0.1 |
4.16 |
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| Carl Zeiss Milvus 1.4/85 ZF.2 Nikon | $1170 | $1800 | 2015 | Carl Zeiss | Medium - Telephoto | SemiProDSLR |
36 MP |
-1.9 |
3.49 |
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| Nikon AF-S NIKKOR 28mm f/1.4E ED | $1300 | $2000 | 2017 | Nikon | Wide | MF Lens |
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| Nikon AF-S NIKKOR 50mm f/1.8G | $142 | $219 | 2011 | Nikon | Medium | SemiProDSLR |
23 MP |
-1.6 |
0.4 |
8.05 |
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| Tamron SP 45mm F1.8 Di USD (Model F013) Sony | $390 | $600 | 2015 | Tamron | Medium | MF Lens |
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| Olympus M.ZUIKO DIGITAL 25mm F1.8 | $260 | $400 | 2014 | Olympus | Wide | MF Lens |
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| Carl Zeiss Apo Distagon T* Otus 28mm F1.4 ZF.2 Nikon | Save 30% | 2015 | Carl Zeiss | Wide | MF Lens |
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| Fujifilm FUJINON XF 23mm F1.4 R | $553 | $850 | 2013 | Fujifilm | Wide | MF Lens |
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| Tokina Opera 50mm F1.4 Nikon | $553 | $850 | 2018 | Tokina | Medium | MF Lens |
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| Mitakon 35mm F/0.95 Sony E | $582 | $895 | 2012 | Mitakon | Wide - Medium | MF Lens |
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| Olympus M.ZUIKO DIGITAL ED 75mm F1.8 | $584 | $899 | 2012 | Olympus | Medium | Hybrid |
15 MP |
-0.7 |
0.1 |
2.68 |
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| Lensbaby Velvet 56mm F1.6 Sony E | $325 | $500 | 2015 | Lensbaby | Medium | MF Lens |
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| Samyang 50mm f/1.4 AS UMC Samsung NX | Save 30% | 2014 | Samyang | Medium | MF Lens |
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| Samyang 50mm f/1.4 AS UMC Fujifilm X | Save 30% | 2014 | Samyang | Medium | MF Lens |
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| Lensbaby Velvet 85mm f/1.8 Sony | $325 | $500 | 2017 | Lensbaby | Medium - Telephoto | MF Lens |
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| Sigma 30mm F1.4 DC HSM A Canon | $324 | $499 | 2013 | Sigma | Wide | SemiProDSLR |
10 MP |
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0.5 |
9.36 |
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| Samsung NX 45mm F1.8 | $228 | $350 | 2012 | Samsung | Medium | Hybrid |
12 MP |
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0.8 |
6 |
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| Nikon AF-S NIKKOR 28mm f/1.8G | $454 | $699 | 2012 | Nikon | Wide | SemiProDSLR |
28 MP |
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0.5 |
9.4 |
How Much Blur - Lens Background DOF Compare
It's important to interpret the outcomes correctly. Howmuchblur, first apparent observation to create is that the backdrop blur raises when the background is further away, no matter focal size or aperture adjustments. In order to provide meaning to the outcomes, think about what kind of shot you would like to make, and what spectrum you will have between the subject matter and how much the background blur.
As you probably have observed right now, the relative blurring ability of lenses is very much indeed reliant on the specifics of your shot. Generally of thumb, it could be figured a wider aperture is normally more very important to blurring closer backgrounds, whereas the focal size comes progressively more into take up when the backdrop is further aside. Please note there are two extra results which determine the amount of background blur in your shot:
- Each lens has its bokeh characteristics, which can make background blur appear pretty much smooth.
- A shorter focal size will have a wider field of view, and for that reason chances are that you will see more things in the background at a closer distance.
- Howmuchblur will have more amazing features soon. Sign up and stay tune with us on both Mirrorless and DSLR latest lens.
